Founded in 1892, the Sewanee Review is the longest-running literary quarterly in America.
About the Review

Nonfiction
John Jeremiah Sullivan
In discussing twentieth century American popular music and its most essential genre, the blues, there have been two main channels for getting into the history, or, as we like to say, the roots, of that tradition.
Online Feature The Conglomerate
Liz Van Hoose
We recently met at our NYC neighborhood restaurant, Community Food and Juice, to talk about editing, publishing, and the literary passion fostered by Grove Atlantic under the intrepid leadership of its publisher, Morgan Entrekin.
Nonfiction
Stephanie Danler
Like the tectonic plates that keep California unsteady, trauma's movement is never interrupted; it is always shifting—yet we only pay attention when it's a disaster.
Archival Content Fiction
Flannery O'Connor
The doctor’s waiting room, which was very small, was almost full when the Turpins entered, and Mrs. Turpin, who was very large, made it look even smaller by her presence.
Poetry
Edgar Kunz
Alone now in Oakland. Thin cloud rusting / over Temescal, garlic simmering // in the pan, lavender potted and long dead in the breezeway.
Fiction
Sidik Fofana
My nigga Boons came home on the fourth. I ain't seent the nigga in four years, so when I heard he was out I'm like, Imma scoop the nigga first thing this evening.
Archival Content Poetry
Mary Oliver
The deed took all my heart. / I did not think of you, / Not till the thing was done.
Craft Lecture
Mary Jo Salter
“Paints and scrapes, paints and scrapes”—the artist at work is not merely putting paint on a canvas, but scraping it off.
John Domini
Laura van den Berg’s second novel, The Third Hotel, piques our interest on the basis of setting alone: Cuba just after the easing of US restrictions. That’s only the first exotic touch. The protagonist, Clare, has come to Havana for a movie festival featuring an edgy new horror flick, and swiftly...
Spencer Hupp
The title of Terrance Hayes’s new book, American Sonnets for My Past and Future Assassin, provokes a series of questions: Sonnets? Why? What makes them American? Past and future, but not present? How? And most pressingly, who is out to kill beloved poet Terrance Hayes? The last question might be ...
Spencer Hupp
Shane McCrae’s fifth collection, In the Language of My Captor, examines a demographic fact foundational to our nation’s identity: that the ancestors of one in nine US citizens were brought to this country as slaves, and today those citizens are still subject to the inheritance of bondage. McCrae ...
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