Current Issue

Craft Lecture, Online Feature

On a Sentence by Raven Leilani

Garth Greenwell

I’ve always been astonished by how dense art can be, how much information a painting or a poem or a sentence can hold. One of the functions of art is to be ample in this way, to offer a container for the surplus of meaning, of value, that surrounds us, that we ourselves are—the information our workaday means of communication and perception either fail to capture or actively filter out.

Review, The Conglomerate

The Novelist's Short Story: Maggie Shipstead's You Have a Friend in 10A

Hayden Dunbar

The relationships Shipstead forges for her characters are always tangled; in each, she notes the gravitational pull two people can have for each other as well as every other force—secrecy, trauma, guilt—that complicates it.

Poetry

Omnivore

Vievee Francis

I will gorge
on this life from sour-tit to last supper,

until the fields of tomatoes despise me,
until the cupboard is bare,

until there is nothing left but dust,
then, finally, I will bite into that.

Fiction

Tender

Cherline Bazile

I wonder: when she pulls my baby hairs into the braid, tucks them beneath a hill of hair, repeats, does she know she hates me, and just how much? Is it finger length? Root length? Or maybe the kind that has no length at all because it never stops growing?

Nonfiction

In a Field in the Rain, Singing into the Silence of the State

Roger Reeves

It is not a coincidence that all over Latin America, from Puerto Rico to Peru, these protests continue. They are lining out to each other, singing to each other. All over the map, the imposed silences of the State are being sung into, are being filled. Are being obliterated.

Poetry

Estuary

Michael Prior

I’ve never passed
here, where I was born, or anywhere

where being feels like being seen.

Fiction

The Company of Others

Sara Freeman

But even after we’d hung up, I could not dislodge Bertrand’s question. A jagged crumb at the back of my throat: Did I miss my mother? To miss someone suggests a past shared, a present remembered. I could think only of a half-dozen times Bertrand and I had talked about my mother in the decade of knowing one another.

Nonfiction

Wilderness in the Mouth: On Vievee Francis

Phillip B. Williams

From the very beginning, Vievee Francis has sung to us throughout her entire oeuvre, and to the best of my abilities I have tried to describe the various ways she has rendered song for us in order that truth, in all its grotesqueness and generosity, may be coupled with beauty, in all of its doubtful confidence and allure.

Poetry

Self-Portrait as Portrait of the Erinyes Pursuing Orestes

Erin Adair-Hodges

It’s the song your mother lows, cradling her loosed womb,
knowing too late what she’s made.

Nonfiction

Ambition

Carl Phillips

As artists, we have something to say, and because we are saying it, it feels—it is—personal, which makes us vulnerable, which in turn makes us long for the protection that, at first, public approbation feels like, protection ultimately from our own fears and doubts as to our “worthiness,” our “right” to call ourselves an artist, maybe even a good one.

Fiction

Les Garder Pour Plus Tard

Sarah Harshbarger

In the plaza, the fountains have stopped running. There are signs in French and English in front of the mairie indicating that all offices are closed and that all concerns should be directed to phone or email. Under the archways—where tourists usually stand with cameras, trying unsuccessfully to capture it all, the way the architecture frames the liveliness of the square—there is no one now, the curved stone casting uninterrupted shadows on the ground.