Kansas coos me into its wheat.
Done with direction, I follow the lightning,
God’s arrows insisting even the desolate
can be a destination.
In the black and white of a winter dawn
a train zippers the wet land
to a sky clouded with intention.
It looks more like a photograph
than a photograph resembles the moment
it captures, its frame diverting, its filter
slanting truths. Say I make of this a photo—
what would the evidence show?
That I was in a body here for awhile
and I wanted this to mean something?
Is this the alibi or the crime?
And who is the jury to receive this—no one
knows I’m here. I loaded the car in Technicolor
and drove east—had done milked the west
of fresh starts—but the time changed
so I don’t know when
Unmappable
Erin Adair-Hodges
Erin Adair-Hodges is the winner of the Agnes Lynch Starrett Poetry Prize for Let's All Die Happy and author Every Form of Ruin, forthcoming in 2023 as part of the Pitt Poetry Series. A former academic, she is now an acquisitions editor for Lake Union Publshing.