The Curses

In discussing twentieth century American popular music and its most essential genre, the blues, there have been two main channels for getting into the history, or, as we like to say, the roots, of that tradition. The first and more familiar involves the so-called “pre-war blues”—confusingly called so, if you stop to think, since the music referred to by that name was recorded between 1921 and about 1937; the term ought to be, “between-wars,” or entre deux guerres.

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The State of Letters

In discussing twentieth century American popular music and its most essential genre, the blues, there have been two main channels for getting into the history, or, as we like to say, the roots, of that tradition. The first and more familiar involves the so-called “pre-war blues”—confusingly called so, if you stop to think, since the music referred to by that name was recorded between 1921 and about 1937; the term ought to be, “between-wars,” or entre deux guerres.

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Engrams, California

In discussing twentieth century American popular music and its most essential genre, the blues, there have been two main channels for getting into the history, or, as we like to say, the roots, of that tradition. The first and more familiar involves the so-called “pre-war blues”—confusingly called so, if you stop to think, since the music referred to by that name was recorded between 1921 and about 1937; the term ought to be, “between-wars,” or entre deux guerres.

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Machado de Assis at the Rio Olympics

In discussing twentieth century American popular music and its most essential genre, the blues, there have been two main channels for getting into the history, or, as we like to say, the roots, of that tradition. The first and more familiar involves the so-called “pre-war blues”—confusingly called so, if you stop to think, since the music referred to by that name was recorded between 1921 and about 1937; the term ought to be, “between-wars,” or entre deux guerres.

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The Rareness of Poetry: On Christian Wiman

In discussing twentieth century American popular music and its most essential genre, the blues, there have been two main channels for getting into the history, or, as we like to say, the roots, of that tradition. The first and more familiar involves the so-called “pre-war blues”—confusingly called so, if you stop to think, since the music referred to by that name was recorded between 1921 and about 1937; the term ought to be, “between-wars,” or entre deux guerres.

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Trump’s Literacy

In discussing twentieth century American popular music and its most essential genre, the blues, there have been two main channels for getting into the history, or, as we like to say, the roots, of that tradition. The first and more familiar involves the so-called “pre-war blues”—confusingly called so, if you stop to think, since the music referred to by that name was recorded between 1921 and about 1937; the term ought to be, “between-wars,” or entre deux guerres.

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Hillary and the Grand Inquisitor

In discussing twentieth century American popular music and its most essential genre, the blues, there have been two main channels for getting into the history, or, as we like to say, the roots, of that tradition. The first and more familiar involves the so-called “pre-war blues”—confusingly called so, if you stop to think, since the music referred to by that name was recorded between 1921 and about 1937; the term ought to be, “between-wars,” or entre deux guerres.

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Expansion and the Philosophy of Power

In discussing twentieth century American popular music and its most essential genre, the blues, there have been two main channels for getting into the history, or, as we like to say, the roots, of that tradition. The first and more familiar involves the so-called “pre-war blues”—confusingly called so, if you stop to think, since the music referred to by that name was recorded between 1921 and about 1937; the term ought to be, “between-wars,” or entre deux guerres.

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